To include:

J.J.G. Alexander and A.C. De La Mare. THE ITALIAN MANUSCRIPTS IN THE LIBRARY OF MAJOR J.R. ABBEY. London: Faber and Faber, 1969. First edition. Hardcover. Grey cloth-covered boards, with gilt and red label on spine, top edge yellow, in illustrated jacket. 12 3/8 x 9 7/8 in.; xliv, 187pp. (Boards with corners rubbed and bumped, light wear to head and tail of spine, slight separation from text block; pristine interior; jacket scuffed with toning and staining, edgewear and several small tears, not price clipped; very good in good jacket.)

Raymond Keaveney. VIEWS OF ROME FROM THE THOMAS ASHBY COLLECTION IN THE VATICAN LIBRARY. Scala, 1988. Paperback in illustrated wraps, illustrated endpapers. 4to; 304pp. (Very good; wraps with light scuffs and edgewear, creasing at spine, one small tear; occasional light mark otherwise very clean interior.)

J.R. Hale. ARTISTS AND WARFARE IN THE RENAISSANCE. New Haven: Yale University Press, 1990. Hardcover. Black cloth-covered boards, in illustrated jacket, in slipcase. 11 1/8 x 10 in.; 278pp. (Near fine with very light wear to wraps, clean interior, in scuffed slipcase.)

Pierluigi de Vecchi, ed. THE SISTINE CHAPEL: A GLORIOUS RESTORATION. New York: Harry N. Abrams, 1999. Later edition. Hardcover. Brown cloth-covered boards, in jacket. 4to; 271pp. (Edge mark otherwise very clean interior; jacket scuffed with edgewear and light toning; near fine/very good.)

Luigi Ficacci. PIRANESE: THE COMPLETE ETCHINGS. Köln: Taschen, 2000. Paperback in glossy wraps. 10 x 8 in.; 799pp. (Very good with light wear to wraps including toning to spine, tape at tail, slight separation from text block; clean interior.)

Dominique Thiébaut. GIOTTO E COMPAGNI. Paris: Louvre editions, 2013. Exh. cat. Paperback. 11 3/8 x 9 5/8 in.; 255pp. Text in French. (Very good with light wear to wraps, minor foxing at top edge, slight waviness to pages; clean interior.)

Francesco Caglioti, ed. DONATELLO: IL RINASCIMENTO. Venice: Marsilio Arte, 2022. Exh. cat. Exhibition in association with the Palazzo Strozzi and the National Museum of Bargello in Florence. Hardcover, no jacket. 11 3/4 x 9 3/4 in.; 455pp. Text in Italian. (Near fine with light wear to boards including head and tail of spine bumped; clean interior.)

From the Collection of Professor Roberto Severino, Washington, D.C.