To include:

(3) signed books:

Creekmore Fath, ed. THE LITHOGRAPHS OF THOMAS HART BENTON. Austin and London: University of Texas Press, 1979. New, expanded edition. Inscribed, signed, and dated on title page by Fath. (Very good in about very good jacket; small area of damage to front hinge, still very sturdy; jacket lightly scuffed with edgewear and small tears.)

Cecily Langdale. MONOTYPES BY MAURICE PRENDERGAST IN THE TERRA MUSEUM OF AMERICAN ART. Chicago: Terra Museum of American Art, 1984. With addenda laid in. Inscribed, signed, and dated by Ambassador Daniel Terra, the founder of the Terra Museum of American Art, and his wife Judith on the first free endpaper. The book is inscribed to Reneé and "Robbie" Robinson on the occasion of a dinner they hosted for Jamsheed Marker, former Pakistan Ambassador to the United States, and his wife. (Very good in fair to good jacket; jacket scuffed, foxed, with several small tears.)

Charles Sullivan, ed. AMERICA IN POETRY: WITH PAINTINGS, DRAWINGS, PHOTOGRAPHS, AND OTHER WORKS OF ART. New York: Harry N. Abrams, 1988. Inscribed, signed, and dated by Sullivan on verso of front endpaper. (Good in very good jacket; boards with light wear and toning, large stain on back cover; interior clean; jacket scuffed with light toning and grime.)

(8) additional titles:

Frederick J. Dockstader. INDIAN ART IN AMERICA. Promontory Press, 1960; Arthur L. Guptill. NORMAN ROCKWELL ILLUSTRATOR. Watson-Guptill, 1972. Later printing; Edward Booth-Clibborn, ed. AMERICAN ILLUSTRATION 3. American Illustration and Harry N. Abrams, 1984; Frank Maresca and Roger Ricco. AMERICAN SELF-TAUGHT: PAINTINGS AND DRAWINGS BY OUTSIDER ARTISTS. Knopf, 1993. First edition; Nicholas Callaway, ed. GEORGIA O'KEEFFE: ONE HUNDRED FLOWERS. Callaway/Wings, 1995; Ivo Kranzfelder. HOPPER. Borders Press, 1998; Elaine Kilmurray and Richard Ormond, eds. JOHN SINGER SARGENT. National Gallery of Art, 1999; Elliot Bostwick Davis, et al. A NEW WORLD IMAGINED: ART OF THE AMERICAS. Museum of Fine Arts, Boston, 2010. (Condition varies good to very good; several with foxing mostly at edges, one with gift inscription, one with small area of damp staining, one with boards slightly bowed, light to moderate wear to boards, jackets and wraps, overall clean interiors and sturdy bindings.)

Largest 16 1/4 x 13 1/2 in.

From the Collection of Professor Roberto Severino, Washington, D.C.