2000, stainless steel, impressed artist signature with edition number 9/150 near base, mounted atop a black marble swivel base.
"The young maiden is pure. She is kneeling to symbolize preparation for womanhood or for marriage. The butterfly itself is a result of its journey through life, and change. The cloud and lightning symbols are powerful in natures ways. The young maiden looks toward her abundant future...."

17 x 15 x 12 in.

Private Collection, Davidson, North Carolina

Kim started her art career as a child finding rocks in the washes in Arizona and painting figures, which her family still keeps today. She started sculpting her Hopi maidens over twenty years ago and still has yet to scratch the surface of her cultural history. ''The Hopi Tribe of Northern Arizona, is thousands of years old. I have a lifetime to fully explain my people and their history. I know many of my collectors now understand more about the women and their powerful place in Hopi history.''

She originally worked in the traditional scrape-and-smooth method, which Hopi potters have used for thousands of years. Kim's degree from Northern Arizona University in Fine Arts, sculpture and bronze casting has become to be a personal satisfaction for her art career.

Kim has been casting bronze for over 35 years and continues to enamor her collectors and the Southwest art scene with her latest designs. Kim has been featured in many national magazine articles and her works have been published in various books on Southwest Art. She has won numerous awards in Art and Sculpture shows across the United States in both Native and non-Native events. Kim represents herself with her own website kimobrzut.com.

Good estate condition.