15th-16th century, three small jars and one medium jarlet, each painted with a wide band of birds amid leafy foliage or stylized flora, most framed by narrow blue rings, the short necks with a collar of stylized petals or tendrils.



Tallest 3 3/4 in.

Property from the Estate of Jean Underwood, sold by the Ackland Art Museum to benefit the Ruth and Sherman Lee Fund for Asian Art

The Underwood collection of Vietnamese ceramics presents a curated selection of various shapes and patterns of blue and white created during the 15th and 16th centuries. The Vietnamese ceramic workshops came to a pinnacle in the 15th century spurred by the Chinese occupation of north Vietnam and the gap left in the market from lower exports from China. The Vietnamese were able to create high quality pieces similar to the Chinese style using underglaze cobalt blue with a heaping effect but with more graceful and willowy brushstrokes over a soft white paste stoneware. The Vietnamese exported their ceramics to southeast Asia and the Philippines.

Each with minor chips and fretting to rims and feet and scattered firing flaws.